Cultural Aspect Of Music

Cultural Aspects

So far, based upon tempo, pitch and pattern, we have a Natural basis for some of the foundations for music and how it affects us. Indeed it is quite possible that aliens on another planet who also respond to sounds, might also share some of these basics and understand aspects of our music or us theirs. But there is no denying that many aspects of music appreciation and music psychology are learned by repeated exposure (both passive where children are exposed to various types of music, and active where individuals seek out types of music that interest them.)


The Cultural aspects of music are built upon these basic foundations, and evolve over time into complex conventions which are passed on from generation to generation. The relative isolation of different communities during this musical development mean that they are likely to evolve in different directions. Then later cross-fertilisation between different cultures can lead to the introduction of new elements which are initially molded to fit the adopting culture and then evolve further. With increased means of communication across the globe we now have some familiarity with the music of different cultures and can perhaps recognise the region of origin, though there is no denying that many old forms of world music are being "westernised".

As well as recognising music of countries we also recognise lots of different styles of music like Latin dance styles, Blues music, Classical, Rock and Roll, Viennese waltzes, Hymns, R&B, Techno, military Marches, Ragtime or Jazz. The distinguishing features of these styles might include particular rhythms, tempi, themes, instruments or music structures or combinations of these. The culture of music is such that we share a common set of associations with different music styles, linking some with parts of the world, certain periods in history, or certain groups of people. In some cases this might be amazingly closely defined sub-styles of music which to people of another "culture" might all sound "the same", but sometimes it can be as simple as a certain instument or rhythm being enough to suggest the style. Because of these associations we might be drawn towards or away from certain styles of music, such that we may enjoy Tibetan music because it is linked to our faith, or perhaps we hate Rock and Roll because our parents love it. So as well as a large set of cultural music associations, we have some very individual associations (maybe even a favourite song, singer or composer) which alter our musical perceptions and appreciation.